Draft 1:
Little history of
photography
Here I am in my owner’s office, next to my
grandfather, the camera obscura. He often looks at me amazed and says that he
would have never imagined how small a camera would become in the 21st
century. I am a digital camera, the latest descendant of the camera obscura.
I often look at all the photographs in the room. My
favorite one is a daguerreotype, the oldest of all photographs. It shows an old
lady in gray surrounded by a halo which makes her seem divine. She sure had
been wealthy. She must have stayed still for quite a while as the exposure time
was very long due to the low light sensitivity of these iodized silver plates.
To me, it seems like she grew into the picture. It looks just like a drawing. When
I first saw the photograph I was surprised because the woman did not look into
the camera. My grandfather told me about a catching phrase that photographers
used to say: “Don’t look at the camera!” In times of early photography people
kept a distance to the camera. They were even afraid of looking at these
pictures for too long because they felt like the subjects were staring at them.
Another photograph shows a family on a fake beach. Props
back them up. Grandpa laughs and says that this picture has nothing to do with
taste. I guess Photoshop makes better fake pictures but at that time people
only knew of the retouched negative technique.
Once I heard my owner mumbling that the aura of
photographs got lost because of the mezzotint process. It is a way of
reproducing pictures. However, with the industrialization people wanted the
halo, the special aura of the daguerreotypes, back because they associated it
with prestige. So with the gum print photographers simulated the halo.
My third favorite photograph only shows a broken
window. The whole picture seems surreal. It is signed by Atget who, I believe,
did not pay much attention to capturing the aura. Still, it looks beautiful to
me in a strange way.
I enjoy the hours when my owner is working here
busily. Yesterday he was reading a book
which seemed to be in a sorry state. I caught a glimpse of the author called
Baudelaire. I have never heard of him so far. Suddenly he frowned and whispered
absent-minded: “Get photography back to what it used to be!” I still wonder
what he meant. Photography is art and art develops. So why would I want to get
it back and to what?
[399 words]
Peer Feedback:
My fellow students who proofread my
text said that they liked it in general very much. Still there had been some
mistakes.
· For
the most part, the mistakes were related to sentence structure. So I decided to
follow the ideas of my friends because they seemed appropriate.
·
They
also had a problem with the ending of my text. They thought the owner of my
narrator would be Baudelaire which clearly wasn’t my intention. So I rewrote
the last part to make it less confusing.
·
I
also made some preposition mistakes for example: “surrounded with a halo”
instead of “by”.
I think the feedback of my peers is
very handful as it gives me a different perspective. I think that I could
improve my text with the help of them.
Final Version:
I am standing on a pine-wooded shelf in my owner’s office,
next to my grandfather, the camera obscura. Grandpa often looks at me amazed
and says he never imagined how small a camera would become in the 21st
century. I am a silvery-gray gleaming digital camera, the latest descendant of
the camera obscura.
I often look at all the expressive photographs in
the office. My favorite is a daguerreotype, the oldest of all photographs. It
shows an old lady in gray sitting on a black, metal bench outside. Regardless
of her age, her eyes seem full of life. She is surrounded by a halo which makes
her seem divine. She must have stayed still for quite a while as the exposure
time was long due to the low light sensitivity of these iodized silver plates.
To me, it seems like she grew into the picture. It looks like a perfect
drawing. What surprised me most is that the woman does not look into the
camera. My grandfather told me about a catching phrase that photographers used to
say: “Don’t look at the camera!” People kept a distance to the camera and were
even afraid of looking at these pictures for too long because they felt like
the subjects were staring at them.
Another photograph shows a family on a fake, sandy
beach. Exaggerated props back them up. Grandpa laughs and says that this
picture has nothing to do with taste. I guess Photoshop makes better fake
pictures but at that time people only knew the retouched negative technique.
Once I heard my owner mumbling that the aura of
photographs, the halo, got lost because of the mezzotint process which was a
way of reproducing pictures. However, with the industrialization people wanted
the halo back because they associated it with prestige. So photographers
simulated it.
My third favorite photograph shows a broken window
and shards of glass covered with raindrops sprinkling in the sun. The picture
seems surreal. Still, it looks breathtaking.
I enjoy the hours when my owner is working here.
Yesterday he was reading a book by an author called Baudelaire. I have never
heard of him. Suddenly my owner frowned and whispered absent-minded: “Get
photography back to what it used to be!” I still wonder what he meant.
Photography is art and art develops. So why would I want to get it back and to
what?
[398 words]
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